Friday, 5 June 2015

FUTURE PROJECTIONS OPENING

FUTURE PROJECTIONS

MY FIRST EVER GALLERY EXHIBITION JUNE THE 2ND 2015

PONSONBY

Studio One Toi Tū

Studio One Toi Tū.
Studio One Toi Tū offers more ways for all people to meet and share ideas, skills and practices - with each other, with other Aucklanders and with visitors to our city. 
Whether you are a beginner or experienced, a maker or a viewer, a resident or a visitor, creativity can become part of your life here. 
We are always keen to hear from creative people, makers and innovators with ideas for events, activities and exhibitions, or those with studio or space hire enquiries or proposals. 
Check out our programme (PDF 2.3MB) for information on spaces for hire, exhibitions, and creative courses for adults and young people. 
To book a place on a course, download and print the booking form (PDF 155KB). You can return your completed form to either the physical address or email address below. 
We look forward to welcoming you to Studio One Toi Tū. 

Contact Studio One Toi Tū

Location:
1 Ponsonby Road, Ponsonby, Auckland
Website:
Social media:
Contact details:
Phone 09 376 3221 or email email Studio One Toi Tū
Opening hours:
All spaces
Monday-Thursday: 9am-7pm
Friday: 9am-5pm
Saturday: 9am-4pm
Residents
24/7 access



 MY NIGHT OUT


Pop-Up / Auckland Festival of Photography-Future Projections

A projection of images created by photography students in Auckland, China, Guatemala and the USA. Participating institutions include AUT, Elam, MIT and Whitecliffe in Auckland; Huanghe Science and Technology College, Hubei Institute of Fine Arts and Zhongyuan University of Technology in China, La Fototeca in Guatemala and Columbia College, Parsons - The New School and Washington State University in the USA


Tuesday night cold and wet, opening time 6pm - 9pm

Okay lighting all the way into the city roads jammed packed but we ( Raemon and I ) carried on , this meant a lot to us this particular journey.

First time ever I had a piece of my work something I had done in a gallery WOW I wasn't going to miss it !

We drove around and around in circles got beeped at and probably a few fingers but we battled on and got a car park and there we were at Studio 1 finally.

Walked inside felt like a Queen but then my boots hitting the wooden floor  were so loud it was ridiculous. So I tip toed around OMG anyway we meet up with Caryline, Tatiana  and Ralph great to see  familiar faces.

We went upstairs saw some great work and left on a white van with strangers , we didn't know the procedure but fortunately for us Caryline told us you could catch these vans and visit other galleries.

So we set off to the .....

THE SILOS

History of Wynyard Quarter

Since European settlement in Auckland, the port and adjacent harbour edges have been the focal point of growth. From 1840, the shoreline has steadily encroached upon the harbour as wharves have been built and tidal edges reclaimed.

The Western Reclamation was progressively constructed by Ports of Auckland’s predecessor, the Auckland Harbour Board, with the last component of the reclamation being completed in 1930, to provide additional berthage capacity and flat land for port related activities. The area was initially utilised by the timber trade, and then in the 1930’s it started to be used for bulk petro-chemical storage. This activity now dominates the northern end of the reclamation, which has often been referred to as the ‘Tank Farm’.

Changes in bulk liquid transportation, the advent of the pipeline from Marsden Point, and the progressive expiration of industrial leases in the reclamation means that Auckland Regional Holding's land is becoming a precinct in search of a new purpose. The winning of the America’s Cup by Team New Zealand and the re-development of the Viaduct Harbour provided an insight into the future potential of the Western Reclamation. The effects of this change are now impacting upon the reclamation, as evidenced by the development along Fanshawe Street and on the reclamation's eastern edge.

History of the Silos


The Silos present at Silo Park were giant containers used for holding cement. Golden Bay Cement occupied what is now known as "Silo Six" (the six closely grouped smaller Silos) while Silo Seven was just one of the Silos that made up the tank farm that is responsible for holding substantial amounts of the cement that built our fair city.
In this exhibition there were some photos that I thought were similar to Russ Flatt which was good for me to recognise and study and evaluate.
There was some work there that I found distasteful but thats something I have to process as I am learning we all look at things differently . 


We stayed there for awhile checked out the photography had a hot milo got cold and departed for the Gus Fisher Gallery.



Gus Fisher Gallery

Situated in the historic Kenneth Myers Centre, Gus Fisher Gallery is committed to promoting the evolution of visual arts and culture.  

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The gallery actively fosters creative and academic research, encourages curatorial practice and the development of postgraduate study in the visual arts, and makes a valuable contribution to cultural heritage and museum studies, both at the University and in the wider community.
Exhibitions of contemporary and historical art focus on New Zealand and the wider Pacific area, but also feature overseas work relevant to New Zealand. The gallery is also used for teaching and learning, performances, readings, talks and demonstrations.

Publications
Creative showcase
The gallery as a venue

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Fiona Amundsen: The Imperial Body 

Gus Fisher Gallery, University of Auckland • 2 June - 11 July

Opens 5:30pm on Tuesday 2 June
Hours 10am-5pm Tues-Fri, 12pm-4pm Sat
Where 74 Shortland Street 
  09 923 6646
  www.gusfishergallery.auckland.ac.nz
  Yes
Artists Fiona Amundsen
Theme Exhibitions
 ‘If I don’t come home, I’ll see you at Yasukuni.’ 
Such was the phrase uttered by World War Two soldiers and pilots to their families as they went into battle. 

Established in 1869, Yasukuni shrine in Tokyo is dedicated to people who died whilst serving the Emperor and whose souls are thereby enshrined as deities. Family members visit to mourn their deceased loved ones and ultimately, be reminded about the atrocities of war. 

Fiona Amundsen’s visual project aims to provoke new experiences of historicised narratives that both pay homage to trauma, but resist holding histories as static or fixed.  

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I think her  photographs were stunning. This was one of three.

 These were my favourites on the night.

So we departed from there at 9pm very happy with our experience just freezing haha , got back to Ponsonby and continued on back to Pukekohe.

A very different experience for myself but totally enjoyed it ! Right out of my comfort zone especially the no kids parts :)



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